I think we are noticing this on the Field more than on the original OP-1 - and it’s because of the Mother reverb. Any amount of that on a track, if you lift/drop it, you are likely to get a clash of the cut reverb tail with the level of reverb on the piece you dropped in… just like real tape, in fact!
I would love to see a “drop and overdub” (perhaps the infamous ‘.’ could be used for this) which also applies a subtle level matching if dropped next to another piece of tape with something on it.
I’m learning to love the clicks anyway.