i deleted it because…i thought maybe i misunderstood what people meant by " drum theory" and i was just coming across all preachy and also, i have no formal training and no natural talent…there are people on here who know way more than me about this. so what i said was something like this…
the pattern sequencer has 16 steps, start with something like this…
kick on; 1, 5, 9, 13 (add extra kick on 15 every two or four bars for variation) (that’s called four on the floor…house and other dance styles. for hip hop…jeez, i don’t kn ow
for rock/pop…kick on 1,9)
snare/clap on 5, 13. every two or four bar add some variation with 12, 15
hats/shaker; 3,7,11,15 for classic house sound. or try…
hats/shaker 1,3.5.7.9.11.13,15,16 . you can add extra hits or take one or two out to get some more interesting patterns here.
for hand percussion stuff like cowbells, go-go bells, timbales, congas, put a few of your hits on the even numbers – 2, 6, 8, 10 etc. these are called the off beats and will give you syncopation. but better yet, go to the endless sequencer. enter your cowbell four times. set sequencer running and twist white knob to change the pattern, and shift +white knob to alter pattern position. this is a really good way at getting syncopated patterns.
one the 1, every four bars (the pattern sequencer is one bar) put a loud crash cymbal – that tells everyone this is a new time around, it adds excitement and expectation.
in the last few beats of every second or fourth bar add a few toms, this signals the end of a sequence to the listener and adds excitement and expectation of what comes next.
or, simply delete the kick at the end of every four bars, this also will signal the end of the sequence.
ok…that’s a basic beat. now turn the pattern sequencer on and set it to hold. then press shift to add/delete a drum sound…and see what sounds good as the pattern plays. this is where the pattern sequencer really shines…it’s really easy to experiment and find great drum patterns by just adding and deleting drum sounds, one at a time.
with music, you are creating a tension between similarity and change. keeping things the same pulls as in, but if it doesn’t ever change, we get tired of it.
you establish a beat, but every now and then you add or subtract or change it.
say, after four bars, you replace the hi hat with a ride cymbal. you change the clap to a snare. and you use tom rolls, whistles, timbales at the end of four bars, and crash cymbal at the beginning of four bars to signal that change is coming.
once you know this basic stuff, you’re going to easily hear it going on in every song you listen to and you’ll start gaining knowledge really quickly