Sure, good idea.
I can upload it on my sc account as a private track and update it.
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@vehka could you please record to album and put the track in the main folder?
I have just opened the tracks in Ableton Live Lite (all I have around me now) and track 3 seemed weird, like starting at 2:00… Might just be some Ableton thing.
Ok, I’ll do it tonight. I only used three tracks I think, but anyway, better to use the album render after every pass for constant results. =)
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I mean tonight, not yesterday tonight… 
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Yes! Great! Now I’m back from my vacation and I can’t wait to put my fingers on it!
Here’s the album render: https://drive.google.com/open?id=1IUAo7xh3oLd0AVNhab0XhO77im1EW_wd
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Cool, thanks. I’ve just put the track on SC and included it in the first post, will refresh with every iteration…
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What a promising intro! Thanks @vehka and @LyingDalai!
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should have my bit done sometime tomorrow !
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here we go !
my take on the theme: cycles. nature is all cycles, all different scales and interactions, slowly evolving. i’ve got two arpeggios, same notes, but one is 6 steps, and one is 7 steps. in the 30s, there’s only 1 time they both land on beat 1 of a bar…
earthpad is vehka’s original pad, I forget if I tweaked it slightly.
earp is a modification of that pad, to be plucky. I don’t use punch that much on soft sounds, but it adds a nice edge.
earthpluck is a dr wave patch that gets real plucky with an envelope-element LFO.
earthstab is a tremolo’d cluster stab.
beef is a modified AWA BEEF.
beeef is a slightly different filtered one, that i used for the kick.
loop is the drum loop, for some additional tweaking.
clap is a clap.
all zipped up in the drive folder
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Hey @beefinator, I don’t see your files in the drive folder? Can you upload again? Really looking forward to have a listen!
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hm weird, maybe I closed the window before the upload was complete
look now?
It’s ok, I updated the mp3 on sc as well.
Well, seems like I got some homework now 
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Yeah, it’s there now – great work @beefinator!
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Perhaps it’s worth restating that your contribution can overlap 5 seconds with the previous entry! So it’s totally ok to “step on” the previous bit a little, if it makes sense musically. I thought that the small bit of silence worked great here, but perhaps in the later parts of the track this rule helps with the transitions between bits. Maybe you could add it to the top post @LyingDalai as a reminder too?
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Done.
@beefinator I can’t wait tonight to have a first try at something. I HAVE to find a way to continue with your chords, they are awesome! It’s a sample, I guess, am I right?
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Really good stuff, @beefinator! But I’m glad I‘m not the next one - pretty hard to go on from here. 
Good luck and have fun @LyingDalai.
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Says the guy who IMO did the most awesome part of last collab track, leaving me with a most incredible rise to deal with 
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no sample, just the earthstab patch!
for the harmony here, I was kinda sticking around A mostly (minor-ish? kept it intentionally a little ambiguous. vehka’s chord underneath implies A minor, but I’m borrowing some other notes/chords from major).
Then the other chords mainly driven by some melodic movement.
The lower part does F#-E-D# (- then land back on A)
The higher part does A-G#-F# (- then land on E).
Then there’s a faint middle part that’s D-D-Eb (- then land on C? C#? Again, ambiguous whether we’re in A major or minor…)
So the chords are like Dmaj, C7, Bmaj+E, back to A (minor? major?)
a bit wonky, doesn’t really make sense, but it works… 
oh also, should mention, these chords are largely driven by the main arpeggio transposing down a minor 3rd. got that from fooling around with endless…
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LOL! Really? Sorry about that, haha. 
But you did an awesome job man!
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