OP-1 Field isn’t for everyone. Same with the OP-1. Not for everyone. It sounds like it’s not for you. You can’t buy a product on an expectation of what it may become, and be surprised when you’re disappointed. It’s a gamble.
Even as a big Apple fan at the time, when the iPhone was announced in January of 2007, I immediately went out and bought a Nokia N95. It had a 5MP camera with flash, autofocus and video, (even half push to focus, full push to take shot, like a real camera!) GPS, 3D GPU, media control buttons, Flash Player, etc etc. So many things iPhone did not have. Later after using an iPod touch I imported an iPhone and modded it to make it work in my country and sold the Nokia. It was worth putting up with limitations to get the benefits.
Anyway if I wanted a sequencer I have the Yamaha QY-100, which is awesome. Super useful in the studio. Full size midi ports, for one. Pattern and song modes. Editable sounds. You can run jobs, eg tell it to fade the velocities of all notes on channel 2 from 0 to 127 over bars 3 to 4. Done. I also bought a use OP-Z. It’s cool… I don’t really get on with it.
I love the OP-1 Field.
Think of the OP-1 Field as a digital four track tape machine, but with way better tape editing. It is not a sequencer. The sequencers are like arpegiators - they’re to help you play stuff in to the tape more easily, and with perfect timing.
Presets 1 and 2 I permanently have setup as an audio input to put effects over life input (via a modified vocoder preset) and a silent ‘midi output’ sound to play notes out and record audio in from external gear. A long push of any preset saves it, so I frequently swap in sounds based on what I’m doing. They’re only preset buttons to quickly swap between the presets you’re using making a track. I’ll often swap to another track to do something else and lift the result back and paste it into place. I don’t want the presets changing with tapes. I understand why someone would - so it would be a nice choice for the options.
One thing I love is that the ‘sequencers’ (think arpeggiators) are de-coupled from the sounds. (I’d like to shift+press sequencer and browse sequences or have a few slots though.) On the microfreak, sequences are part of the preset. Having them decoupled on OP-1 (and field) allows me to put the notes in, play it along side the tape, and go tweaking the preset and then find it’s not working and change presets entirely, and keep the ‘notes’ the same. Think of them as an assistant, playing the keys for you, while you modify things - It is not a sequencer.
And I’m ok with that.
There are a billion ‘sequencers’ - there is nothing else quite like OP-1 / OP-1 Field. Sequencers (or things with detailed sequencing) I have excluding lots of DAWs: QY-100, PMA-5, Woovebox, OP-Z, PO-20, Motif XS6, Fantom X8, GEM WX2+, GEM Wk4+, Equinox 88, MZ-2000 etc etc. And what do I end up using the most? OP-1 Field. The DAW sequencer I use the most is actually MSSIAH on the C64, which has two 8580 SID chips in it (the revised version with better multimode filters) because it’s the best way to get the precise control I want out of the C64 - with six oscillators across the two chips I can make each note be a totally different preset. Handy.
Oh, and I have a POM-16 TE sequencer I haven’t put together yet, meaning to use that with my ARP 2600 clone. Haven’t got around to building it yet - for now I plug the Yamaha BT midi dongle into the 2600, and use ENDLESS or other OP-1 Field sequencers to trigger notes in the 2600 and record it back into the OP-1 Field as an audio track. Then I can adjust sounds on the 2600 (eg re-pitch the oscillators to different notes) and layer that new copy of audio over the previous one on the OP-1 Field. This works really well. A BT midi dongle lets me trigger any midi capable synth and record the audio back into the Field, and it acts as a midi hub - Midi comes in over BT LE from the Nord Grand and goes out the USB-C on the OP-1 Field into the Micromonsta2. Or out over BT LE at the same time into the Woovebox. When I briefly had an Orba (didn’t like it) it could play notes to the OP-1 which would send the notes out over BT Midi to the dongle on the Nord. Could walk around the house triggering notes on the Nord from the Orba. I say house because the Nord is in the house, where I have a minimal living room suitable music setup, and not in the studio where all the gear is. OP-1 can move effortlessly between both locales, and in it’s little sling bag fit over my should under my jumper when I go for a walk or catch public transport. I always have keys, speaker, mic, synths, recording, sampling etc always ready to go anywhere. I’m not aware of anything else that can do all that. The closest, with the update, is the Woovebox, which is amazing - but a very different UI paradigm. But it does record audio tracks, only sampling. Which is quite different.
It’s easy to criticise something - I could write walls of text about my dislike for putting vinyl on a pedestal, or MPCs. But I recognise that some people have good use cases for an MPC.
The chopper game on OP-1? It’s why I haven’t sold my OP-1 OG yet, because I’ve never played the game for more than a moment. I’d rather them focus on more music focused improvements, than bringing the game over though. But for me the reason why I bought Field was because I could afford it at the time (I couldn’t now) and I’d only bought the OG new less than a year prior, and while I thought I’d just want the OP-1 to use on the train, I wanted to use it everywhere, for everything. And the built in recording to tape from external gear was my favourite part, but everything sounded horrible. It was a sketchpad. If I recorded the Nord Grand into the OP-1 it was mono and lofi, reverb and sense of space was lost. So it was a placeholder device, I’d then go and use Logic to Get Real Work Done. But OP-1 Field with it’s excellent sonic fidelity meant that - within it’s limitations - I can do anything with it, and be happy with the sound quality at least.
Anyway, time to make some music