don’t mind me. shoooo!!!
3 Likes
More radio-based sampling insanity!
2 Likes
This one is a bit different. It’s got an ambient layer but with 150bpm rhythm over it.
2 Likes
Hey everyone. I just published a little 5 track ambient EP. All done on the OP1 with a bit of final mastering in logic. A bit of background about it: I captured voice prompts from Hinge as I tried to navigate the messy world of online dating, and they helped guide me to develop a theme around loneliness in today’s world.
5 Likes
I love it. It’s very haunting, you got that feeling of being alone right into the music. Great work 
1 Like
As daunting as mesmerizing.
What a take on solitude translated to sound.
Crazy.
Distopian. Blade Runneresque. Black Mirroresque.
Love it.
1 Like
Also includes some FX from the TX-6
1 Like
1 Like
Some of my firsts tracks created with the OP1-Field
2 Likes
Both of these are great. I think the second is best, it feels really haunted!
1 Like
Thank you!!! 
5 Likes
A little cross-posting here, but this one’s recorded on the TP-7 and mixed on the TP-6. I wrote the track on the OP-1 Field, with a little help from a Chase Bliss Mood MKI and my piano. Yes, those are piano loops you’re hearing. Though I kind of wonder it this actually happened -
1 Like
A bit of fun this afternoon. It started with a sliced sample of piano playing that I recorded some time ago, which was sequenced and doubled. Then things got silly…
1 Like
I’m using the OP-1 Field to remix some of my older stuff, just going with the tape flow and see where it takes me. This is a blend of some old recordings that made it into an EP and some new beats -
1 Like
5 tracks, all recorded on the OP-1 field using mostly external gear (namely a reface DX, chase bliss pedals) and then re-recorded to cassette with OP1 processing.
5 Likes
Absolutely lovely 
fantastic textures.
1 Like
very nice sounds.
great to find another reface dx user. love that little machine. it works so well with the OP1.
1 Like
here’s a new one. it’s weird. tyvm.
3 Likes
This one’s a bit different as far as workflow goes for me. I first wrote the piano part in the OP-1, recorded it to album with live tape effects and then into Luna (which is new to me - I haven’t done daw until now). Then, I made a drum loop on the OP-1 separately, recorded that directly into Luna with live tape effects.
After that, some field recordings with the TP-7 and mixing it all in Luna. I’m not used to a daw, so it’s overproduced and really bad gain staging, but it’s a finished track in a daw with all the source material coming from the Op-1 and the TP-7.
Which is something worth sharing, I feel, no matter the noob production values -
1 Like