Found some nice chords and a melody to go with them.
Made this track in Renoise with Serum, Garritan Personal Orchestra, and samples. The visuals were made in Magic Music Visuals. I exported 12 stems from the Renoise project and mapped them to 12 different visual elements in Magic. They respond to changes in either volume or frequency.
<span style=“font-family: NHaasGroteskTxPro-55Rg, “Helvetica Neue”, Helvetica, Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: normal; color: rgb(34, 34, 34); background-color: rgb(255, 255, 255);”>This track is dedicated to Ryan@Elektronauts.
100% Machinedrum. Live take.
<span style=“color: rgb(34, 34, 34); font-family: NHaasGroteskTxPro-55Rg, “Helvetica Neue”, Helvetica, Arial, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255);”>
Probability/randomness based track.
100% Monomachine. Live take.
https://soundcloud.com/lying-dalai/learning-from-aliens
This one is Organelle-only. One of the patches I used is Pretty Poisson, an automatism-based, evolving beat/sound generator.
I don’t know if anybody here is into prog-post-metal but here’s the new album of my Band PYGMALION:
https://pygmalionsound.bandcamp.com/album/supersymmetry
There are also a few tracks on the album that I made in ableton.
I don't know if anybody here is into prog-post-metal but here's the new album of my Band PYGMALION:
There are also a few tracks on the album that I made in ableton.
Never heard of “prog-post-metal” before, but it’s AWESOME!! 
the transition of Supersymmetry is great! what’s your role in band, guitar?
Yes, guitar, all the electronic stuff and main songwriter.
Thank you for the nice words! Glad you like it.
This one is based on the Organelle patch called ‘Smorphagene’ (which was modeled after the Morphagene module by Makenoise) processing a sample from Lionel Richie’s ‘Hello’. It’s more like ‘hell, oh’ now. Also starring were the OP-1 with some percussive synths and the Sub37 with droning bass.
This one is based on the Organelle patch called 'Smorphagene' (which was modeled after the Morphagene module by Makenoise) processing a sample from Lionel Richie's 'Hello'. It's more like 'hell, oh' now. Also starring were the OP-1 with some percussive synths and the Sub37 with droning bass.
Cant wait to check this out mate! How’s the Sub37 doing for you after owning it for 4 months?
Cant wait to check this out mate! How’s the Sub37 doing for you after owning it for 4 months?
That’s a keeper. If you need an affordable Moog for performance, soundscaping and experimenting, the Sub37 is the way to go. For me it definitely is. I first owned a Sub Phatty which is some serious bang for the buck and the Sub37 is like three levels up.
Cant wait to check this out mate! How’s the Sub37 doing for you after owning it for 4 months?
That’s a keeper. If you need an affordable Moog for performance, soundscaping and experimenting, the Sub37 is the way to go. For me it definitely is. I first owned a Sub Phatty which is some serious bang for the buck and the Sub37 is like three levels up.
Yeah baby! I f*kin live this machine. It kicks the shot out of most of what I own. What are you running yours through? I’ve got mine going into an AMPEG SCR-DI and the into a BOSS SE-70 and finally into the MX-1.
(((Why are our quote on quote messages mashed up like Bob Marleys grandson after accidentally toking on one of his bifta’s?)))
Cant wait to check this out mate! How’s the Sub37 doing for you after owning it for 4 months?
That’s a keeper. If you need an affordable Moog for performance, soundscaping and experimenting, the Sub37 is the way to go. For me it definitely is. I first owned a Sub Phatty which is some serious bang for the buck and the Sub37 is like three levels up.
Yeah baby! I f*kin live this machine. It kicks the shot out of most of what I own. What are you running yours through? I’ve got mine going into an AMPEG SCR-DI and the into a BOSS SE-70 and finally into the MX-1.
Mine runs thru a Strymon Timeline + a TC Trinity T2 reverb. The latter is a decent box for the money but it’s kinda temporary as I’m planning to invest in either an Empress Reverb or an OTO BAM.
Here’s another Organelle-heavy piece, primarily based on a new patch called ‘bashfest’, which is a weird, unpredictable, über-glitchy and very inspiring drum machine (or beat generator…). Also used the Organelle to record the minimal hats/snare groove and the arpeggiated melody. The pulsating/droning bass synth appears courtesy of the OP-1.
<span style=“font-family: “Helvetica Neue”, Helvetica, Arial, sans-serif; font-size: 14px; color: rgb(75, 79, 86); white-space: pre-wrap; background-color: rgb(255, 255, 255);”>Digitrack #1
<p style=“font-family: NHaasGroteskTxPro-55Rg, “Helvetica Neue”, Helvetica, Arial, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255);”>100% Digitakt.
3am, alone in the dark.
Bourgogne, France, live take in the park.<p style=“font-family: NHaasGroteskTxPro-55Rg, “Helvetica Neue”, Helvetica, Arial, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255);”>Uncut / unmastered, factory samples only
3am, alone in the dark.
Bourgogne, France, live take in the park.<p style=“font-family: NHaasGroteskTxPro-55Rg, “Helvetica Neue”, Helvetica, Arial, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255);”>Uncut / unmastered, factory samples only
Made a new jam and I had a lot fun doing it!
Take a listen and feel free to give any pointers…
https://youtu.be/JyaYR1vd7fc
Recently revisited some of my old Reason tracks…
https://crank13.bandcamp.com/album/moonbase-tokyo-e-p
Something new with electribe 2 and Dominion and some Piano by me!
https://soundcloud.com/mixmastermueller/blue-curacao-artiste