The OP-xy is actually cheaper than the OP1…

…per button. You pay €33,81 per button for the OP-XY against €37,02 per button fot the OP1.

But seriously, it is so tiring to read how people think that teenage engineering stuff is overpriced and not worth it. It’s just the market. As long as people pay those prices, the price is right. If no one would buy their stuff, it would be either crap or way too expensive (remember Apple Vision Pro?)
I’m so sick of the entitlement some people feel about having a right to cheap consumer goods. Grow up or work harder! If you’re cheap, buy cheap.

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The XY is not overpriced…

Smaller the technology, more attention to details, quality control is higher on all levels, electronic interference needs to be accounted for etc …

Its the same reason a pocket pc cost way more than a regular laptop with 2x tye specs

The other factors are the code, it must have taken enormous amounts of debugging and bottleneck solutions to have all this overlaying realtime sequencing complexity working without glitches, pop, crackles, freezes and midi problematics, like stuck notes or sync issues …

Its a 1st class Engeneering both hardware and software

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Let me mention Deluge: it is also a small portable groovebox powerhouse without hard limits and supporting almost all functionalities the OP XY has except emulated velocity sensitivity and some fx types but having many other cool features along with another quick and inspiring workflow and it costs 860 EUR less then OP XY. That’s a huge difference.

Well I could just retype everything I just posted as a reply to your comment…

These are largely different products, by miles in design and Engeneering, internal electronics software… etc

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I would just add they are equals on opposite ends of the musician workflow spectrum: one being audio (op-1f) and the other being midi (op-xy). One is a performance based realtime workflow , and the other is a step sequencer based workflow. They are like yin and yang. One is not better than the other. They serve different purposes for different situations, environments or musicians. Price is not really that different between them.

I know. Your previous post just seemed to me too generic and I wanted to mention an example that could not fit that explanation.

Deluge is what I looked at instead but the form factor is what drew me away. But it’s PERHAPS a more “powerful” machine , at least that what I thought against the op1F but it didn’t have the portability and features I wanted otherwise

Look - plain and simple - this IS the OP-Z Field or op-zf

It’s awesome . Without rival really. If you used an op-z sequencer this will certainly make your even more mind blown

Excellent point

Battery life is another things to consider here and all the effort to utilize low power solutions or optimize tech to sip power takes skill and commitment to the core design principles

for me personally THAT is a significant part of the cost of all TE devices and what makes them fun…power/charging becomes an afterthought and i can simply focus on making music no matter where i take em

@rudolphrapid you’re the 2nd person i’ve heard mention Deluge in this context and i’ve seriously looked into it until now

never knew it has a battery built in, or that it’s relatively small for something with grid array integrated for controls

i’m not looking for an alternative to XY but Deluge looks like a more capable companion for a modular setup so if i have friends seeking out tools to pilot a hybrid setup, i’ll keep this in mind

I had a Deluge for a couple of years. I had to send it back to NZ twice for repairs. I’m not super fond of the company for reasons that are too long to get into.

It’s fun to use the grid to sequence. The arrange mode is easy to sketch out songs.

It has probably changed since I had one, the code is open source now. When I had it, the internal synth was average at best with a confusing paradigm for presets. The effects were poor.

The reason I sold it was the frustrating UI. Almost everything is done with button combinations- 128 identical buttons. The writing on the machine is as tiny as they could get it. I bought an overlay that helped but I still disliked it.

For sequencing some external synths, it’s great. The other features just feel crammed into a very busy UI. It felt like a mess to me.

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